Alva Noto - Transrapid / Transvision / Transspray, 3xcd [Raster-Noton] Electronic, Experimental, Minimal
A cycle of three 21min-CDs with an exclusive cover design created by the artist. Nicolai explains the concept of his work: "'Speed of data-flow is equivalent to the speed of our time. In an era when virtual products of our ideas are expanding, we are simultaneously positioning a calm point in which to settle ourselves. The state of rapidity in which our bodies and the objects around us are existing, is being replaced by a new economics of anxiety for resources. Only the rudiments of rapidity remain in the form of a crude distribution. The burying and codifying of information makes information available to only a few. This closed circle repeatedly tries to establish new mechanisms to restrict access to these possibilities. In order to realize these concepts, strategies are created to not only to absorb information, but also to diffuse and atomise it.' This release is presented in three CDs: Transrapid, Transvision and finally, Transspray. Forced Exposure
Autechre - Untilted, cd [Warp] Electronic, Abstract, IDM, Experimental
Listening to Autechre’s early material with the benefit of hindsight, one can spot their influence on the modern musical landscape. As early drivers of the electronica bandwagon from the impenetrable Warp Records label they set the blueprint for thousands of bedroom clicky, drilly electronic noisesmiths and were partly responsible for Radiohead’s Kid A. Most of their imitators can be chucked carelessly into the bargain bin marked with the label ‘veritable sack of pointless disposable head-wreckage’. A brief fiddle with any music computer software blows a wide hole through most electronic music on the market these days – it’s so damn easy to make! Contact Music
Harmonic 33 - Music For Film, Television And Radio Volume 1, lp.cd [Warp] Electronic, Jazz, Downtempo, Ambient, Contemporary Jazz
The title of this album is more wishful thinking than factual description. Each of the luxurious pieces on Harmonic 33's second LP could've served as soundtrack fodder for film, television, and radio programs -- if such programs actually existed. Other people have tried this kind of faux score before (see Barry Adamson's Moss Side Story, the blaxploitation foundtrack Soul Ecstasy, and Roger Manning's "sequel" to Logan's Run), but never with such spot-on results. SF Weekly
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